Kirish: Abdulla Qahhor sovet davri oโzbek nasrining yetakchi vakillaridan biri sifatida tanilgan. uning Tomoshabogสป hikoyasi shaxs psixologiyasi va ijtimoiy muhit oโrtasidagi ziddiyatni aks ettirib, insoniy kechinmalarni badiiy talqin etadi. Maqsad: Tomoshabogสป hikoyasining badiiy va psixologik jihatlarini tahlil qilish, yozuvchining ichki konfliktlarni tasvirlashdagi mahoratini va sovet davri oโzbek hikoyachiligi kontekstini yoritish. Materiallar va metodlar: adabiy tahlil, psixologik izoh va syujet-kompozitsion tuzilishning strukturaviy oโrganilishi qoโllanildi. Qahhor ijodi sovet davri oโzbek adabiyoti anโanalarida qiyosiy yondashuv asosida koโrib chiqildi. Natijalar va muhokama: tadqiqot natijalari hikoyada realizm va psixologizm tamoyillari mujassam ekanini koโrsatdi. konfliktlar qamoqxona va militsiya kabi ijtimoiy tuzilmalar bilan bogโliq boโlib, shaxsning tashqi bosimlarga qarshi kurashini yoritadi. yozuvchining badiiy uslubi qahramonlarning psixologik chuqurligini hayotiy tarzda ifodalaydi. Xulosa: Tomoshabogสป oโzbek hikoyachiligida muhim oโrin tutadi. unda realizm, psixologizm va ijtimoiy tanqid uygโunlashib, oโzbek nasrining rivojlanishiga hissa qoโshadi va inson psixologiyasining badiiy tasvirini boyitadi.
Introduction: Abdulla Qahhor is recognized as one of the leading representatives of Uzbek prose in the Soviet period. his short story Tomoshabogสป reflects the tension between individual psychology and social environment, offering a vivid artistic interpretation of human experiences. Purpose: to analyze the artistic and psychological dimensions of Tomoshabogสป, focusing on the writerโs skill in depicting inner conflicts and the broader socio-cultural context of Uzbek short story writing. Materials and Methods: the study applies literary analysis, psychological interpretation, and structural examination of plot and composition. comparative approaches are used to situate Qahhorโs work within the tradition of Soviet-era Uzbek literature. Results and Discussion: findings show that the short story embodies realism and psychologism, with conflicts rooted in social structures such as prison and police authority. the narrative highlights the individualโs struggle against external pressures, while the writerโs stylistic mastery conveys lifelike psychological depth. the story demonstrates how artistic form and psychological insight merge to create a powerful depiction of human experience. Conclusion: Tomoshabogสป occupies an important place in Uzbek short story writing, exemplifying the integration of realism, psychologism, and socio-cultural critique. its artistic and psychological dimensions contribute to the development of Uzbek prose and enrich the literary portrayal of human psychology.