KINO REJISSYORNING AKTYORLAR VA JAMOA BILAN HAMKORLIGI

KIRISH: ushbu maqolada aktyor va rejissyorni ijodiy xamkorligi naqadar muxim rol о‘ynashi aktyor rejissyor ijodining asosiy materiali ekanligi, aktyor nafaqat rejissyor bilan balki butun jamoa bilan ijodiiy xamkorlik qilishi kerakligi haqida yozilgan. Zero kina va teatr bu kollektiv san’at shunday ekan barcha ijodiy gurux bir yoqadan bosh chiqarib ishlashi kerakligi haqida yozilgan. MAQSAD: hozirgi kino va teatr sana’tida jamoviy hamkorlikga erishish maqsadida avvalo ularni har biri o’z ishini to’gri va kelishilgan holda bajarishi va bu borada ushbu sohallarni mukmmal o’rganishi ta’minlashdan iborat. MATERIALLAR VA METODLAR: ushbu maqolada rejissyorni aktyorlar va jamoa bilan hamkorlikda ishlashi uchun bir necha metodlar qo’llanildi jamoani o’rganish, aktyorlarga to’gri vazifa berish, statistik tahlilar, o;zaro hamkorlik metodlari. MUHOKAMA VA NATIJALAR: ushbu maqolada kino rejissyorlarni aktyorlar bilan va ijodiy jamoa bilan o’zaro hamkorlikda ishlashi tahlil qilindi. Ozbekiston kino san’atida aktyorlar va jamoa bilan to’g’ri ishlash uchun huddi teatrdagi repititsiyalar bo’lganidek kinida ham sur’atga olishdan bir-ikki kun avval jamoa bila repititsiya qilinsa biz kutgan hamkorlik natijalari yuzaga keladi. XULOSA: kino rejissyorning aktyor bilan ishlashi film yaratish jarayonining markaziy qismi hisoblanadi. Rejissyorning dramaturgiyani chuqur anglashi, aktyor bilan samarali muloqot о‘rnatishi va ijodiy muhit yaratishi yuqori badiiy darajadagi film paydo bо‘lishiga xizmat qiladi.

INTRODUCTION: this article discusses the importance of creative collaboration between an actor and a director. It emphasizes that the actor is the main material of the director’s creative work. It is also noted that the actor should cooperate not only with the director but also with the entire creative team. Since cinema and theatre are collective forms of art, the whole creative group must work together in unity and coordination. AIM: the purpose of modern cinema and theatre art is to achieve effective teamwork. For this, each participant must perform their duties correctly and in coordination, and thoroughly study their professional field. MATERIALS AND METHODS: several methods were used in this article to organize cooperation between the director, actors, and the creative team. These include studying the team structure, assigning proper tasks to actors, statistical analysis, and methods of mutual collaboration. DISCUSSION AND RESULTS: the article analyzes the interaction between film directors, actors, and the creative team. For effective work in Uzbek cinema, it is recommended, as in theatre practice, to conduct rehearsals with the whole team one or two days before filming begins. This helps achieve the expected results of cooperation. CONCLUSION: in conclusion, the director’s work with actors is a central part of the filmmaking process. A deep understanding of dramaturgy, effective communication with actors, and the creation of a creative atmosphere contribute to producing films of high artistic quality.