QO‘QON BULBULI – RAHIMA AYA MAZOHIDOVA

Kirish: ushbu maqolada o‘zbek askiya san’atining yorqin namoyandasi Rahima Mazohidovaning hayoti va ijodiy faoliyati yoritilgan. Rahima Mazohidova ayollar davrasida askiya san’atini rivojlantirgan san’atkorlardan biridir. Maqolada uning sahnadagi o‘ziga xos uslubi, ayol obrazlarini yaratishdagi mahorati hamda ijtimoiy va ma’naviy masalalarni kulgi orqali ifodalashdagi o‘rni tahlil qilinadi. Maqsad: Samarqand va Buxoro viloyatlarining madaniy aloqalarni rivojlantirishdagi hissasini tahlil qilish va ularning jahon sivilizatsiyasiga ta’sirini ko‘rsatish. Materiallar va metodlar: tarixiy-madaniy tahlil, muzey-qo‘riqxona faoliyatini qiyosiy o‘rganish va xalqaro hamkorlik loyihalarini interpretativ sintez qilish metodlari qo‘llanildi. AQSh, Belgiya, Pokiston, Xitoy va Saudiya Arabistoni bilan madaniy almashinuv misollari ko‘rib chiqildi. Natijalar va muhokama: tadqiqot natijalari Samarqand va Buxoro madaniyat arboblari va muassasalari O‘zbekiston milliy o‘zligini boyitganini va madaniyatlararo muloqotni rivojlantirganini ko‘rsatdi. Mahdumi A’zam, Imom Moturidiy va Imom Buxoriy nomidagi muzey-qo‘riqxonalar O‘zbekistonni dunyo bilan bog‘lovchi ko‘prik vazifasini bajarmoqda. xalqaro hamkorlik loyihalari o‘zbek madaniy merosining umuminsoniy ahamiyatini ta’kidlaydi. Xulosa: Samarqand va Buxoro viloyatlari madaniy aloqalarni rivojlantirishda beqiyos o‘rin tutadi. ularning hissasi o‘zbek madaniyatining jahon sivilizatsiyasidagi dolzarbligini ko‘rsatadi va O‘zbekistonning xalqaro hamkorlikdagi rolini mustahkamlaydi.

Introduction: this article describes the life and creative activity of Rahima Mazohidova, a prominent figure in Uzbek askiya art. Rahima Mazohidova is one of the artists who developed askiya within women’s circles. The article analyzes her unique stage style, her mastery in creating female characters, and her role in expressing social and spiritual issues through humor. Aim: to analyze the contribution of Samarkand and Bukhara regions to the development of cultural relations and their impact on global civilization. Materials and Methods: the study applies historical-cultural analysis, comparative review of museum-reserve activities, and interpretative synthesis of international cooperation projects. examples of cultural exchanges with the USA, Belgium, Pakistan, China, and Saudi Arabia are considered. Results and Discussion: findings show that cultural figures and institutions of Samarkand and Bukhara have enriched Uzbekistan’s national identity and promoted intercultural dialogue. museum-reserves dedicated to Mahdumi Azam, Imam al-Moturidi, and Imam Bukhari serve as bridges between Uzbekistan and the world. international cooperation projects highlight the universal significance of Uzbek cultural heritage. Conclusion: Samarkand and Bukhara regions occupy an incomparable place in the development of cultural relations. their contributions demonstrate the enduring relevance of Uzbek culture in global civilization and strengthen Uzbekistan’s role in international cooperation.