DILBAR ABDURAHMONOVA – OPERA ASARLARINING BEQIYOS TALQINCHIDIRIJYORI

KIRISH: mazkur maqola dirijyor Dilbar Abdurahmonovaning opera asarlarini talqin etish masalalariga bag‘ishlangan. Maqolada ushbu masala uning ijodiy faoliyatidan kelib chiqib, jahon va milliy operalari misolida yoritiladi. MAQSAD: dirijyorning opera asarlaridagi o’rni va mavqeyini belgilash. Shunigdek, soha vakillarining ijodiy faoliyati misolida talqin masalasini o’rganadi. MATERIALLAR VA METODLAR: tadqiqot davomida mashhur dirijyor Dilbar Abdurahmonovaning bir qator ijrochi va rejissyorlar bilan hamkorligiga oid muammolar tarixiy manbalar, ilmiy maqolalar yordamida o‘rganilib qiyosiy tahlil etildi. MUHOKAMA VA NATIJALAR: maqolada dirijyorning “Pyotr I” (A. Petrov), “Bo‘ron” (S. Vasilenko, M. Ashrafiy) va “Faust” (Sh. Guno) operalarini sahnalashtirishiga oid ijodiy ishlari tahlil qilinadi. Asarlar misolida ushbu ijodkorning qo’llagan uslub va tamoyillari ko’rib chiqiladi. XULOSA: tadqiqot natijasida, opera asarlarida dirijyor Dilbar Abdurahmonovaning talqini, ijodkor, ijrochilar bilan ishlash uslubi va tamoyillari aniqlandi.

INTRODUCTION: this article is about interpreting the opera works of conductor Dilbar Abdurakhmanova. The article highlights this issue on the example of world and national operas, based on his creative activity. AIM: to determine the role and position of the conductor in the opera. Using the example of the creative activity of representatives of the sphere, he explores the issue of interpretation. MATERIALS AND METHODS: during the study, the problems of cooperation of the famous conductor Dilbar Abdurakhmanova with a number of performers and directors using historical sources and scientific articles were studied and compared. DISCUSSION AND RESULTS: the article gives examples such as "Peter I" (A. Petrov), "Buron" (S. Vasilenko, M. Ashrafiy) and "Faust" (S. Gounod). On the example of these works, the methods and principles applied by this artist are considered. CONCLUSION: As a result of the study, the interpretation of the conductor Dilbar Abdurakhmanova, the style and principles of working with creative figures and performers were determined in opera works.