KIRISH: zamonaviy adabiyotshunoslikda adabiy asarlarni ulardagi arxetiplarning ishlashi nuqtai nazaridan o'rganishga qiziqish susaymagan. Bu muammo, ayniqsa, ko'p madaniyatli va ko'p millatli kontekstdagi adabiyot uchun dolzarbdir. Arxetiplar uzoq vaqtdan beri an'anaviy mifologema hisoblangan bo'lsa-da, 20 va 21-asrlar oxirlarida badiiy adabiyotning arxetip asoslariga va arxetipning o'ziga qiziqish ortdi. Ushbu tadqiqot S. Aflatunining lirik nutqida faoliyat yurituvchi arxetiplarning etnomadaniy tabiatini o'rganadi va ushbu "abadiy" obrazlar va motivlarning paydo bo'lishining universal ildizlarini aniqlashga qaratilgan. Ushbu tadqiqotning dolzarbligi shundaki, turli darajalardagi — universaldan tortib etno- va multimadaniyatgacha — arxetiplarni aniqlash shoirning ijodi va ijodini universal madaniyat kontekstida tahlil qilish, mafkuraviy va badiiy poydevor yaratish uchun yashirin falsafiy va psixologik shart-sharoitlarni aniqlash, shuningdek, asarning milliy madaniyatni shakllantirishda va xalq mentalitetini tushunishdagi ahamiyatini baholash va aniqlash imkonini beradi. MAQSAD: ushbu tadqiqotning maqsadi Suxbat Aflatuniy asarlarining multimadaniyatli lirik nutqida "inson" arxetipining o'ziga xos tasvirlarini aniqlashdir. Tadqiqot inson qiyofasini ochib berishning badiiy usullarini tahlil qilishga, shuningdek, ushbu arxetipning shakllanishida madaniy, falsafiy va ma'naviy motivlarning rolini aniqlashga qaratilgan. MATERIALLAR VA USULLAR: tadqiqot materiali Suxbat Aflatuniyning ko'p madaniyatli badiiy nutq elementlarini yorqin aks ettiruvchi she'riy va nasriy asarlaridir. Tadqiqotda quyidagi usullar qo'llanildi: adabiy tahlil, qiyosiy semantika, madaniy tahlil va adabiy matnlarni talqin qilish tahlili. Bu usullar bizga turli madaniy an'analarning o'zaro ta'siri kontekstida "inson" arxetipining badiiy tasvirining o'ziga xos xususiyatlarini aniqlash imkonini berdi. NATIJALAR VA MUHOKAMA: Suxbat Aflatuniy asarlarini tahlil qilish shuni ko'rsatdiki, uning lirik nutqidagi "inson" arxetipi turli madaniy va ma'naviy qatlamlarning o'zaro ta'siri orqali namoyon bo'ladi. Muallif matnlarida Sharq falsafasi, so'fiylik ma'naviyati va Yevropa madaniy an'analari elementlari motivlari mavjud. Yozuvchining badiiy dunyosida odamlar hayotning ma'nosi, uyg'unlik va ichki erkinlikni doimiy ravishda izlaydigan murakkab ma'naviy mavjudotlar sifatida taqdim etiladi. Lirik nutqning ko'p madaniyatli tabiati turli tsivilizatsiya an'analariga tegishli ramzlar, metaforalar va madaniy kodlardan foydalanishda namoyon bo'ladi. Inson mavjudligining tabiati, inson va dunyo o'rtasidagi munosabatlar va ma'naviy qadriyatlar haqidagi falsafiy mulohazalar "inson" arxetipini tasvirlashda ayniqsa muhimdir. Shunday qilib, muallif asarlarida inson obrazi universal xususiyatga ega bo'ladi va yagona madaniy an'ana chegaralaridan chiqib ketadi. XULOSA: tadqiqot shuni ko'rsatdiki, Suxbat Aflatunining ko'p madaniyatli lirik nutqidagi "inson" arxetipi turli madaniy va falsafiy elementlarni birlashtirgan murakkab badiiy konstruksiyani ifodalaydi. Muallif insonning o'zini o'zi bilish, uyg'unlik va haqiqatni izlashga intiladigan universal ma'naviy sub'ekt sifatidagi qiyofasini yaratadi. Uning asarlarining ko'p madaniyatli tabiati matnning semantik makonini kengaytirishga imkon beradi va muallifning badiiy dunyosini ko'p qirrali va chuqur qiladi. Shunday qilib, "inson" arxetipining tasviri yozuvchi poetikasining muhim elementi bo'lib, uning umuminsoniy qadriyatlarni tushunish istagini aks ettiradi.
INTRODUCTION: in modern literary studies, interest in examining literary works from the perspective of the functioning of archetypes within them has not diminished. This problem is especially relevant for literature created in a multicultural and multiethnic space. For a long time, the archetype was considered a conditionally existing mythologeme; however, at the turn of the twentieth and twenty-first centuries, interest in the archetypal foundation of literary works and in the archetype itself has significantly increased. This study addresses the ethnocultural nature of archetypes functioning in the lyrical discourse of Sukhbat Aflatuni, aiming to identify the universal human roots behind the emergence of “eternal” images and motifs. The relevance of the research lies in the fact that identifying archetypes of different levels—from universal to ethno- and multicultural—makes it possible to analyze the works and creative activity of the poet within the context of universal human culture, reveal hidden philosophical and psychological foundations underlying the ideological and artistic structure of the texts, and determine the significance of the works in shaping national culture and understanding the mentality of a people. AIM: the purpose of this study is to identify the features of the representation of the archetype “human” in the multicultural lyrical discourse of the works of Sukhbat Aflatuni. The research aims to analyze the artistic methods used to reveal the image of a human being and to determine the role of cultural, philosophical, and spiritual motifs in shaping this archetype. MATERIALS AND METHODS: the research material includes the poetic and prose works of Sukhbat Aflatuni, in which elements of multicultural artistic discourse are clearly manifested. The following research methods were used in the study: literary analysis, comparative-semantic method, cultural analysis, and interpretative analysis of literary texts. The application of these methods made it possible to identify the features of the artistic representation of the archetype “human” within the context of the interaction of different cultural traditions. RESULTS AND DISCUSSION: the analysis of the works of Sukhbat Aflatuni has shown that the archetype “human” in his lyrical discourse is revealed through the interaction of different cultural and spiritual layers. The author’s texts demonstrate motifs of Eastern philosophy, Sufi spirituality, and elements of the European cultural tradition. In the artistic world of the writer, the human being appears as a complex spiritual personality engaged in a constant search for the meaning of life, harmony, and inner freedom. The multicultural nature of the lyrical discourse is manifested through the use of symbols, metaphors, and cultural codes belonging to different civilizational traditions. Philosophical reflections on the nature of human existence, the relationship between human beings and the world, and spiritual values play a special role in representing the archetype “human.” Thus, the image of a human being in the author’s works acquires a universal character and transcends the boundaries of a single cultural tradition. CONCLUSION: the study has established that the archetype “human” in the multicultural lyrical discourse of Sukhbat Aflatuni represents a complex artistic construct that unites various cultural and philosophical elements. The author creates the image of a human being as a universal spiritual subject striving for self-knowledge, harmony, and the search for truth. The multicultural nature of the works expands the semantic space of the text and makes the author’s artistic world multifaceted and profound. Thus, the representation of the archetype “human” is an important element of the writer’s poetics and reflects his aspiration to comprehend universal human values.
ResearcherUz