ABDULLA QAHHORNING “TOMOSHABOG‘” HIKOYASIDA SHAXS RUHIYATI VA IJTIMOIY MUHIT TALQINI

Kirish: Abdulla Qahhor sovet davri o‘zbek nasrining yetakchi vakillaridan biri sifatida tanilgan. uning Tomoshabogʻ hikoyasi shaxs psixologiyasi va ijtimoiy muhit o‘rtasidagi ziddiyatni aks ettirib, insoniy kechinmalarni badiiy talqin etadi. Maqsad: Tomoshabogʻ hikoyasining badiiy va psixologik jihatlarini tahlil qilish, yozuvchining ichki konfliktlarni tasvirlashdagi mahoratini va sovet davri o‘zbek hikoyachiligi kontekstini yoritish. Materiallar va metodlar: adabiy tahlil, psixologik izoh va syujet-kompozitsion tuzilishning strukturaviy o‘rganilishi qo‘llanildi. Qahhor ijodi sovet davri o‘zbek adabiyoti an’analarida qiyosiy yondashuv asosida ko‘rib chiqildi. Natijalar va muhokama: tadqiqot natijalari hikoyada realizm va psixologizm tamoyillari mujassam ekanini ko‘rsatdi. konfliktlar qamoqxona va militsiya kabi ijtimoiy tuzilmalar bilan bog‘liq bo‘lib, shaxsning tashqi bosimlarga qarshi kurashini yoritadi. yozuvchining badiiy uslubi qahramonlarning psixologik chuqurligini hayotiy tarzda ifodalaydi. Xulosa: Tomoshabogʻ o‘zbek hikoyachiligida muhim o‘rin tutadi. unda realizm, psixologizm va ijtimoiy tanqid uyg‘unlashib, o‘zbek nasrining rivojlanishiga hissa qo‘shadi va inson psixologiyasining badiiy tasvirini boyitadi.

Introduction: Abdulla Qahhor is recognized as one of the leading representatives of Uzbek prose in the Soviet period. his short story Tomoshabogʻ reflects the tension between individual psychology and social environment, offering a vivid artistic interpretation of human experiences. Purpose: to analyze the artistic and psychological dimensions of Tomoshabogʻ, focusing on the writer’s skill in depicting inner conflicts and the broader socio-cultural context of Uzbek short story writing. Materials and Methods: the study applies literary analysis, psychological interpretation, and structural examination of plot and composition. comparative approaches are used to situate Qahhor’s work within the tradition of Soviet-era Uzbek literature. Results and Discussion: findings show that the short story embodies realism and psychologism, with conflicts rooted in social structures such as prison and police authority. the narrative highlights the individual’s struggle against external pressures, while the writer’s stylistic mastery conveys lifelike psychological depth. the story demonstrates how artistic form and psychological insight merge to create a powerful depiction of human experience. Conclusion: Tomoshabogʻ occupies an important place in Uzbek short story writing, exemplifying the integration of realism, psychologism, and socio-cultural critique. its artistic and psychological dimensions contribute to the development of Uzbek prose and enrich the literary portrayal of human psychology.